i love that part
[Discussion] Hana Yori Dango (Meteor Garden Manga) jdrama
My expression was probably just like Tsukushi's when he winked at her. I found it rather icky to tell you the truth.beccaa wrote: i love that part
@ sunmoon: I think Kin-san is a really nice character but I simply didn't like him in the course of the story.
Yay!! Yuuki was kind of nice and cute at the beginning (although I often disliked the things she said) but she was pretty much getting on my nervesshiruchan wrote:I love Shigeru too!!! More than Yuki, actually.
Me too!! Good to know I'm not the only one that was all teared up during that scene. I remember I was like: "Don't you dare get into the bus. If you do I'm gonna hate you!" And she did. -_- So I decided: "Okay girl, too bad but I've gotta hate you now." But when she suddenly stood in front of Doumyouji I had to change my mind again and was like: "Hey, sorry about earlier, I love you! T_T" I'm crazy...About the second scene I want them to show: it´s so cliche, but I love this one!!! I guess I´ve cried more than on the third one!
The third scene you mentioned didn't affect me all that much since I had watched MG before which is why it wasn't much of a surprise to me. (Well I was still touched and sad but not as much as if I had seen it without knowing what was going to happen.)
You haven't seen the Hanadan Special, right? I know the first 5 ranks from it already.I just hope the 1th, 2nd and 3rd ranks won´t go to Rui!
just finished watching the 4th ep~~ it was good, but i thought it could have been better in some areas:
i loved the elevator scene, and the rain scene, and pretty much all the scenes with domyouji/tsukushi interaction!! YAY!! but...
can't wait for the next ep when domyouji~ (edit: spoiler for episode 5!)
i loved the elevator scene, and the rain scene, and pretty much all the scenes with domyouji/tsukushi interaction!! YAY!! but...
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this is so inhuman,cruel,impipious,pitless...
I only will be able to see the 4 episode on MONDAY
T___T
Oh good lord this so cruel.. so cruel..
I already read all spoiler... I have tears in my eyes...
this is so cruel with a totally freak crazy HYD fan like me....
But please more spoilers.. so i can get until monday... U_U
I only will be able to see the 4 episode on MONDAY
T___T
Oh good lord this so cruel.. so cruel..
I already read all spoiler... I have tears in my eyes...
this is so cruel with a totally freak crazy HYD fan like me....
But please more spoilers.. so i can get until monday... U_U
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Ah! Showing one episode per week is just killing me! The cliffhanger at the end plus the evil preview of next week's episode is just twisting my heart!
I can't wait for the subs to be out. There's also alot more soujiro and akira in this episode which is great. I think there should be more in the future!
lol somehow i really like that teddy bear part it sux if they d cut it out its just so cuteee
i agree w every1 bout the dancin part... looked quite stupid to me lol
about kinsan... i dun think makino was being easy... she just had so many probs goin on at that time... n i dunno... its like she was really really down.. n then all of a sudden she met this great guy who could cheer her up and made her believe in herself ^^ she thought he even was in the same situation as she was in.... i mean it looked like hes perfect for her in every way... n with him she wouldnt hav to worry bout many stuff... so she was confused if she should be with him n lead a happy normal life, or be with sm1 she really loved even if it meant she would hav to fight!! (tsukasa )
the amnesia part... agree that makino was too reserved... that part pissed me off a great deal >.> i thought tsukasa was so stupid n makino should just forget bout him (which she eventually decided to) however after a few scenes everythin went back to normal <-- me happy
i agree w every1 bout the dancin part... looked quite stupid to me lol
about kinsan... i dun think makino was being easy... she just had so many probs goin on at that time... n i dunno... its like she was really really down.. n then all of a sudden she met this great guy who could cheer her up and made her believe in herself ^^ she thought he even was in the same situation as she was in.... i mean it looked like hes perfect for her in every way... n with him she wouldnt hav to worry bout many stuff... so she was confused if she should be with him n lead a happy normal life, or be with sm1 she really loved even if it meant she would hav to fight!! (tsukasa )
the amnesia part... agree that makino was too reserved... that part pissed me off a great deal >.> i thought tsukasa was so stupid n makino should just forget bout him (which she eventually decided to) however after a few scenes everythin went back to normal <-- me happy
Ahh Episode 4 was very entertaining~! I am glad that they have changed little things with the elevator scene, so it isn't exactly like the anime or manga. I was REALLY glad that she pulled out regular medicine from her bag instead of Leek or whatever that was originally.
As for the dance club scene, the beginning of it with those guys dancing gave me scary flashbacks to the HYD live action movie with Uchida Yuki and Tanihara Shosuke. I expected them to switch to TRF's Overnight Sensation and everyone to break out into spontaneous choreographed dance ^____^
As for the dance club scene, the beginning of it with those guys dancing gave me scary flashbacks to the HYD live action movie with Uchida Yuki and Tanihara Shosuke. I expected them to switch to TRF's Overnight Sensation and everyone to break out into spontaneous choreographed dance ^____^
Same goes to me. Jun is cute winking at her, but AS Doumyouji, I found it a little strange.Kathleen wrote: My expression was probably just like Tsukushi's when he winked at her. I found it rather icky to tell you the truth.
I just felt the same! I would never forgive Tsukushi if she really did it. After all things Doumyouji did for her, THE LEAST she could do was what she ended up doing.Kathleen wrote: Me too!! Good to know I'm not the only one that was all teared up during that scene. I remember I was like: "Don't you dare get into the bus. If you do I'm gonna hate you!" And she did. -_- So I decided: "Okay girl, too bad but I've gotta hate you now." But when she suddenly stood in front of Doumyouji I had to change my mind again and was like: "Hey, sorry about earlier, I love you! T_T" I'm crazy...
It was not I didn´t like the asking from Doumyoji, what I didn´t like was the reaction of Tsukushi. Gosh, with a man like him, why should she hesitate? And refuse??? There are so many moments that I just would like to beat up Tsukushi, because she was so... hmmm... ungrateful?Kathlee wrote:
Oh, I didn´t see Hanadan special. So, could you tell me the 5 ran, please?
Finally watched episode 4!
Oh, God... Doumyoji is getting better and better... so cute!!!!!!!!! Love when he said
YAY!!!! So I guess we´re going to see on 5th or 6th episode the
Wow, I didn't know you're in this community, too! *happy* (You probably don't even remember me. Never mind though. All you've got to know is that I love your site and your F4 fl!)Emi801 wrote:it isn't exactly like the anime or manga. I was REALLY glad that she pulled out regular medicine from her bag instead of Leek or whatever that was originally.
Uhm... I'm actually quite happy about the changes, too (not about most character changes though). Mostly... I was kind of sad she didn't pull out a leek. The scene was so funny in the anime, especially when he thought she wanted to kill him with that thing.
*nods* That's why I was very sad about the course of the story when Tsukushi followed Doumyouji to NY but he rejected her. Hello? The deal was to turn her down not to be so cold. From then on hardly anything made sense to me. There were some nice scenes in the last few volumes but I don't really like the story past volume 28.shiruchan wrote:After all things Doumyouji did for her, THE LEAST she could do was what she ended up doing.
Ahh, now I see what you mean about the marriage. And I totally agree! I think it's only natural to at least once or twice think about such things as marrying once you're being with the one you really love. And after all they had gone through and with having her realizing over and over again how much he means to her, the only answer she gave him was to spit her Ramen on his face. Oh dear... She could've at least just say: "Sorry but it's too early to talk about it now." (Although with all their life and death situations they had passed the stage of a plain highschool romance a long time ago.)
The top 5 ranking of the most popular scenes (according to the Hanadan Special which you can download there: http://www.d-addicts.com/forum/viewtopi ... 478e0a35e4):
(Major manga spoilers)
I get your point. Sometimes we really do things that don't make any sense. But I think we hardly do them totally out of the blue. They were peacefully having tea on the sofa when they suddenly stood up and decided to shake their bodies like crazy... without music. Now if that isn't strange, I don't know.Akira and Soujiro dancing was not ridiculous to me, though. Well, sometimes we also do some stupid somethings, right? I didn´t care too much about it.
JC, I didn't think of that when I saw the puzzle!!! Wah, that's so great! Although I don't think it will be a good idea to put the SN scene into the 5th episode already. Ack. The 5th already? Which means we're already half way through.
@ angelic_poring: I doubt they'll have anything like the Canada scene in the drama.
Last edited by Kathleen on Nov 13th, '05, 02:04, edited 1 time in total.
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Mannnnnnnnnn, what an episode. This drama is getting better and better. I just cant believe how GREAT it is!!!!!!!!! Even if I know the basics of the story, it feels so fresh when I actually see it acted out. And I am sorry for doubting Jun's capabilities on pulling off the other side of Domyouji! Byebye dao ming si, and everything about MG. I wubb this drama
whoa - the subs for ep 5 came out so quickly...many kudos to furransu and Backalley!!
HYD just gets better and better...except, the end is nearing and i wonder how the drama is going to end - hopefully not a rushed ending but at this rate....
I liked the parts when:
just wondering, anyone know where i could find instrumentals from HYD?
HYD just gets better and better...except, the end is nearing and i wonder how the drama is going to end - hopefully not a rushed ending but at this rate....
I liked the parts when:
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I'm not sure if anyone already mentioned this.............
(at 52 pages, it's kinda hard to skim through this thread now ), but although I know the drama can't fit every little detail into its 9 episodes, the writers (probably intentionally ?) left out that Rui was a violinist, a very very very talented violinist.
why does that matter? I'm not too sure, but to me I feel that music has always been an important aspect of Hanazawa Rui's life. I've always associated the color white as well as the instument "the violin" with Rui and somehow he seems incomplete without it.
bleh, I'm just jabbering nonsense.........but hey, wouldn't it be cool if there were others out there who feels the same?
(at 52 pages, it's kinda hard to skim through this thread now ), but although I know the drama can't fit every little detail into its 9 episodes, the writers (probably intentionally ?) left out that Rui was a violinist, a very very very talented violinist.
why does that matter? I'm not too sure, but to me I feel that music has always been an important aspect of Hanazawa Rui's life. I've always associated the color white as well as the instument "the violin" with Rui and somehow he seems incomplete without it.
bleh, I'm just jabbering nonsense.........but hey, wouldn't it be cool if there were others out there who feels the same?
Hi guys! New here. Notice most of you have your own expectations of the drama cos of the manga/MG. I watched MG, but that was quite a few years ago, and i realise i've forgotten most of it already lol. So I'm quite amazed at how you people can remember and compare all the details so well.
Like most of you, i'm SO loving HYD.
Just watched ep 4!
First thing I must comment on is the cinematography. Brilliant. My favie shots:
I find this ep extra funny as well.. I for one find the shopkeeper more entertaining than irritating lol. As long as her scenes are not too long i guess.
Tsukasa! To be honest I find myself liking Rui more at the beginning of HYD, but now, Tsukasa has COMPLETELY won me over. Major adorable. Of course I'm talking about all those sweet things he did and said in his ep, but i especially found him hard to not love when:
Like some of you, I didnt really like
Can a kind soul explain to me what's happening in the preview? That part wasn't really subbed for me.
Like most of you, i'm SO loving HYD.
Just watched ep 4!
First thing I must comment on is the cinematography. Brilliant. My favie shots:
Tsukasa! To be honest I find myself liking Rui more at the beginning of HYD, but now, Tsukasa has COMPLETELY won me over. Major adorable. Of course I'm talking about all those sweet things he did and said in his ep, but i especially found him hard to not love when:
Like some of you, I didnt really like
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I remember this part in the manga (ending of ep. 4) i felt sorrry for Tsukushi. . How can someone be so cruel?? I can't wait until ep. 5 comes out.
I had my doubts at the beginning whether jun can pull off Domyouji (because he doesn't look very tough), but he's just great. I like this drama a lot better than meteor garden. The acting in this drama is a lot better than in meteor garden... and it doesn't drag as much either.
I had my doubts at the beginning whether jun can pull off Domyouji (because he doesn't look very tough), but he's just great. I like this drama a lot better than meteor garden. The acting in this drama is a lot better than in meteor garden... and it doesn't drag as much either.
Welcome to our community, escapist!
Wow, I really like your post. I was mostly impressed about your references to the cinematographie (which nobody else did yet as far as I know). Could it be you're a media studies major, too? Cause I am and this is basically what we're talking about day in and day out in the movie studies course. Hehe. I also liked the zoom out of the elevator. A couple of other really good shots are in the first episode when the F4 make their first appearance. I especially liked Soujiro's introduction. Err, you know what I mean? That camera turning, fast forward thingy effect... (Gosh, what a miserable explanation.) I also found it quite well done they managed to shoot the F4 from various perspectives that made all of them look about the same hight. It really is true that Japanese set a high value on esthetics.
I don't really know which scene you're talking about. From which episode?
Lol. I found it rather cute. In a childish way that is.
That was from the manga / anime.
@angelic_poring: Aw, sorry I think the way I marked the spoiler was kind of unclear. This wasn't my personal favourites ranking but the one from the official Hanadan website, hence everone's farvourite scenes which is why I'm so bummed about the second rank. ^^; Good there's someone who has the same humor (in case of the leek that is), hehe.
@lilswtangel: I'm also kind of sad they left that part out. They made him a bookworm instead. This is so not Rui. He's supposed to be interested in nothing. But as the violin symbolizes his sensivity in the manga / anime they made him tear up quite often instead in the drama.[/b]
Wow, I really like your post. I was mostly impressed about your references to the cinematographie (which nobody else did yet as far as I know). Could it be you're a media studies major, too? Cause I am and this is basically what we're talking about day in and day out in the movie studies course. Hehe. I also liked the zoom out of the elevator. A couple of other really good shots are in the first episode when the F4 make their first appearance. I especially liked Soujiro's introduction. Err, you know what I mean? That camera turning, fast forward thingy effect... (Gosh, what a miserable explanation.) I also found it quite well done they managed to shoot the F4 from various perspectives that made all of them look about the same hight. It really is true that Japanese set a high value on esthetics.
And Rui grinding his apple with a somewhat (sorry Rui fans) gay look?
Lol. I found it rather cute. In a childish way that is.
I don't really know anything about the teddy bear some of you talked about..
That was from the manga / anime.
I didn't watch the preview as I'm not too fond of spoiler but if my common sense doesn't fail meCan a kind soul explain to me what's happening in the preview? That part wasn't really subbed for me.
@lilswtangel: I'm also kind of sad they left that part out. They made him a bookworm instead. This is so not Rui. He's supposed to be interested in nothing. But as the violin symbolizes his sensivity in the manga / anime they made him tear up quite often instead in the drama.[/b]
I´ve downloaded the subtitles for episode 04, but I guess there are some mistakes... My Japanese is not good, so if someone could help me just to understand it better, please...
At the restaurant scene, when Tsukushi and Doumyouji are talking about the apple...
I´ve asked my friend who is fluent in Japanese (almost a japanese, actually), and he said it so. I was confused about the subtitles, cause I undestood something totally different, so, if someone here is fluent in Japanese, please, le me know.
At the restaurant scene, when Tsukushi and Doumyouji are talking about the apple...
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Thanks Kathleen for the explanation on the teddy bear! Seems pretty silly to me as well lol.
Anyway, I have to say that is one factor I absolutely love about HYD, and one reason I call it a high-quality version of MG, hee. Numerous scenes I loved since ep 1, like the ones you mentioned (yes I know what you meant!), and:
And after reading what you guys wrote about what's going to happen in the next ep, I'm suddenly reminded of how heartbroken I felt for Tsukasa in MG at that point. Nooooo.. Why can't Tsukushi feel what we feel? BAHH.
GAHH! You're a media studies major? -impressed- Nah I'm not one, sad to say. It's just that I really love to see movies, dramas, or MVs shot beautifully with interesting angles and shots. Makes it such a pleasure to watch. But sadly most of my friends don't notice these kinda things, they say I'm gushing over secondary things, haha. Which is such a waste! The crew's efforts go unappreciated.Kathleen wrote:Could it be you're a media studies major, too? Cause I am and this is basically what we're talking about day in and day out in the movie studies course. Hehe.
Anyway, I have to say that is one factor I absolutely love about HYD, and one reason I call it a high-quality version of MG, hee. Numerous scenes I loved since ep 1, like the ones you mentioned (yes I know what you meant!), and:
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and ever single episode is even better that the other one before...
this 4 episode is so cute!!!!
I loved so many parts..
of course all of them with Doumyoji and his stupid, kindness..
my favorite part
but 2 things i want to say
Fir ts....
I think that the major people agree.. that how time pass the episodes are getting better and better...
But this is so Sad...
Is getting so good... but we are already in the middle..
This so sad... I really wanna more that 9 episodes...
And for the next episodes...
I waiting
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This link is pretty good for Inoue Mao pics.
http://www.alpha-net.ne.jp/users2/gerug ... b0043n.htm
And this has loads of screencaps.
http://randomc.animeblogger.net/categor ... ori-dango/
Speaking as a guy, she's a bit too young for me to find her anything but cute, but her comic acting is excellent, and her way with physical comedy is exceptional. This actress really knows how to listen and physically react according to situation. Which is surprising because I think her previous roles have been playing troubled girls. I don't think she's so much depicting Makino but grounding the emotional reality of the whole story.
I'll say one thing about her look, though. She has a mouth to die for, a deeply expressive, open door that can beautifully convey both the topsy and the turvy of love. And depending on how they (probably) play a crucial scene next episode, it should help make one beautiful moment.
http://www.alpha-net.ne.jp/users2/gerug ... b0043n.htm
And this has loads of screencaps.
http://randomc.animeblogger.net/categor ... ori-dango/
Speaking as a guy, she's a bit too young for me to find her anything but cute, but her comic acting is excellent, and her way with physical comedy is exceptional. This actress really knows how to listen and physically react according to situation. Which is surprising because I think her previous roles have been playing troubled girls. I don't think she's so much depicting Makino but grounding the emotional reality of the whole story.
I'll say one thing about her look, though. She has a mouth to die for, a deeply expressive, open door that can beautifully convey both the topsy and the turvy of love. And depending on how they (probably) play a crucial scene next episode, it should help make one beautiful moment.
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I just finished watching Episode 4, and I loved this scene (even more after hearing the literal translation). In both the anime and Meteor Garden, I always liked Rui's character. But in this drama, Matsumoto Jun's performance is so good (his acting is getting better and better with every drama he does!), that I'm rooting for Doumyoji and Tsukushi all the way!shiruchan wrote:I´ve downloaded the subtitles for episode 04, but I guess there are some mistakes... My Japanese is not good, so if someone could help me just to understand it better, please...
At the restaurant scene, when Tsukushi and Doumyouji are talking about the apple...I´ve asked my friend who is fluent in Japanese (almost a japanese, actually), and he said it so. I was confused about the subtitles, cause I undestood something totally different, so, if someone here is fluent in Japanese, please, le me know.
I hope they make a second series of this or something. Nine eps are just too short! Can't wait for next week!
What?!!Toritorisan wrote:shiruchan wrote:I´ve downloaded the subtitles for episode 04, but I guess there are some mistakes... My Japanese is not good, so if someone could help me just to understand it better, please...
At the restaurant scene, when Tsukushi and Doumyouji are talking about the apple...I´ve asked my friend who is fluent in Japanese (almost a japanese, actually), and he said it so. I was confused about the subtitles, cause I undestood something totally different, so, if someone here is fluent in Japanese, please, le me know.
So does that mean,
I'm impressed, thus far, this has been the first japanese drama to pull me back into the intriguing world of japanese dramas since the hallyu wave swept me away almost 2 years back.
I watched Hana Yori Dango Live Action episode 1 with expectations equivalent to that of a matchstick. Having watched Meteor Garden and being smitten and overly-obsessed with that taiwanese drama, i didnt expect, in my wildest dreams that the japanese version would leave me hooked and clambering for more!
Watched all 4 episodes in what- 2 days? including downloading etc. I feel the obsession creeping right back!
As escapist had mentioned, the cinematography is just a pure work of genius. Every single scene left me marvelled at the details, the camera angles. In short EVERYTHING.
I was previously rooting for Rui while watching the first 2 episodes BUTslowly, but definitely, I found myself falling for Doumyoji more and more... And it's safe to say; I've lost it! puhaha... His mannerisms, his speech, even the way he he walks for god's sake, had me giggling like some schoolgirl. Man, i'm embarassing myself here!
Anyways, the next episode- Episode 5, can never come fast enough.
I watched Hana Yori Dango Live Action episode 1 with expectations equivalent to that of a matchstick. Having watched Meteor Garden and being smitten and overly-obsessed with that taiwanese drama, i didnt expect, in my wildest dreams that the japanese version would leave me hooked and clambering for more!
Watched all 4 episodes in what- 2 days? including downloading etc. I feel the obsession creeping right back!
As escapist had mentioned, the cinematography is just a pure work of genius. Every single scene left me marvelled at the details, the camera angles. In short EVERYTHING.
I was previously rooting for Rui while watching the first 2 episodes BUTslowly, but definitely, I found myself falling for Doumyoji more and more... And it's safe to say; I've lost it! puhaha... His mannerisms, his speech, even the way he he walks for god's sake, had me giggling like some schoolgirl. Man, i'm embarassing myself here!
Anyways, the next episode- Episode 5, can never come fast enough.
Toritorisan, totally agree with you. Share your sentiments exactly. Jun's acting improves by the episode(as if he isnt a brilliant actor already! ), its hard for me not to like him- Hated him in episode 1 but gradually began to really take notice of him, and the rest, as they say, is history.Toritorisan wrote:I just finished watching Episode 4, and I loved this scene (even more after hearing the literal translation). In both the anime and Meteor Garden, I always liked Rui's character. But in this drama, Matsumoto Jun's performance is so good (his acting is getting better and better with every drama he does!), that I'm rooting for Doumyoji and Tsukushi all the way!shiruchan wrote:I´ve downloaded the subtitles for episode 04, but I guess there are some mistakes... My Japanese is not good, so if someone could help me just to understand it better, please...
At the restaurant scene, when Tsukushi and Doumyouji are talking about the apple...I´ve asked my friend who is fluent in Japanese (almost a japanese, actually), and he said it so. I was confused about the subtitles, cause I undestood something totally different, so, if someone here is fluent in Japanese, please, le me know.
I hope they make a second series of this or something. Nine eps are just too short! Can't wait for next week!
Doumyoji and Tsukushi! I'm behind you both! Aish, when i saw the credits rolling for episode 4, i was ready to throw my laptop out the darned window...pfff...
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I'm a bit worried about that too. The pace so far has been good, but to me it still looks like 11-12 episodes will be needed to properly show the story arc with Domyoji's mom. But I like what the director is doing, by running various manga mini-arcs in parallel. Plus . . .I hope they make a second series of this or something. Nine eps are just too short! Can't wait for next week!
No doubt. The first episode has some well executed tracking shots; (plus, nice use of the "vertigo" zoom shot when somebody gets the Red ticket.) Also, there's some nice use of lighting and color photography to contrast the day and night, dawn and 3am club scenes.As escapist had mentioned, the cinematography is just a pure work of genius. Every single scene left me marvelled at the details, the camera angles. In short EVERYTHING.
But, what actually impressed me is the editing. Because you can kinda tell that they have a lot more footage than they're showing, and that they're trying their best to slice and dice to meet the time constraints. I think that's what I like most about the show -- the narrative is not only tightly paced, but gracefully interwoven -- you don't notice the very high # of scene changes in the show, the jokes and motifs in parallel, or how each episode builds on things that just barely registered in the previous episode. The editing seems a bit of a balancing act to me; go any faster and the character development will not cohere; go any slower, and you can't possibly reach a satisfying ending in just 9 epis.
I really liked how the show has reinterpreted Dounmyoji. Instead of depicting him as the ultimate bullish, id-driven, frat-boy, they've instead shown him to be an obsessive, deeply miserable "Billy Jean." That's sure not the MG Dounmyoji and maybe not really the manga Dounmyoji, but in its own way, I think it's raised both the darkness of the core story, and the stakes at play. So, the effect has been two-fold. It enables seasoned HYD/MG fans to experience a much more intense, concentrated expression of the story. And for Jun fans, it's a showy role that really lets him go widescreen with the feelings. Dounmyoji is barely normal here, and that's what makes his part transfixing. If the show plays it right, he should take over the 2nd half of the series.I was previously rooting for Rui while watching the first 2 episodes BUTslowly, but definitely, I found myself falling for Doumyoji more and more... And it's safe to say; I've lost it! puhaha... His mannerisms, his speech, even the way he he walks for god's sake, had me giggling like some schoolgirl. Man, i'm embarassing myself here!
I think Doumyouji told that (at the restaurant) because he´s afraid to lose Tsukushi to Rui, as some of you said. Since Doumyouji has taken away the most adored thing (the apple) from Rui, Doumyouji is afraid that Rui will take Tsukushi away from him, because she´s the one that Doumyoji adore at most. Some kind of revenge or something like that. So, I think Tsukushi will betray Doumyouji with Rui, which will hurt deep down (my dear) Doumyouji. But this is kinda predictable, hah?
About Soujiro and Yuki, I guess they´ll develop their relationship, honestly. Even between Akira and Kami-san (the dango shop owner). I bet they can do it, since there´s no time enough to do it. It would be nice, but I still prefer to watch more about Doumyouji and Tsukushi relationship development than other characters´.
About Soujiro and Yuki, I guess they´ll develop their relationship, honestly. Even between Akira and Kami-san (the dango shop owner). I bet they can do it, since there´s no time enough to do it. It would be nice, but I still prefer to watch more about Doumyouji and Tsukushi relationship development than other characters´.
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shiruchan:
Next week is just so crucial. I can see so many ways how they'll adapt Doumyoji's reaction from the manga. In the anime, they played up the surreal, abstract vibe of it, but I don't think that should be depicted in the show. I mean . . .
Since Doumyouji has taken away the most adored thing (the apple) from Rui, Doumyouji is afraid that Rui will take Tsukushi away from him, because she´s the one that Doumyoji adore at most.
Last edited by slippyepic on Nov 16th, '05, 19:21, edited 1 time in total.
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I totally agree with you. I've seen the movie, anime, and both Meteor Garden series, yet somehow I'm still drawn to this drama even though I know what's going to happen!son_yejin wrote:I'm impressed, thus far, this has been the first japanese drama to pull me back into the intriguing world of japanese dramas since the hallyu wave swept me away almost 2 years back.
I watched Hana Yori Dango Live Action episode 1 with expectations equivalent to that of a matchstick. Having watched Meteor Garden and being smitten and overly-obsessed with that taiwanese drama, i didnt expect, in my wildest dreams that the japanese version would leave me hooked and clambering for more!
Watched all 4 episodes in what- 2 days? including downloading etc. I feel the obsession creeping right back!
I was swept by the hallyu wave too and kinda took a break from Japanese dramas. But this season there are some really good ones! I'm really glad I tuned in!
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Exactly!! I couldn't even word it any better....I wont even elaborate on it...coz that's just a perfect interpretation.slippyepic wrote:
I really liked how the show has reinterpreted Dounmyoji. Instead of depicting him as the ultimate bullish, id-driven, frat-boy, they've instead shown him to be an obsessive, deeply miserable "Billy Jean." That's sure not the MG Dounmyoji and maybe not really the manga Dounmyoji, but in its own way, I think it's raised both the darkness of the core story, and the stakes at play. So, the effect has been two-fold. It enables seasoned HYD/MG fans to experience a much more intense, concentrated expression of the story. And for Jun fans, it's a showy role that really lets him go widescreen with the feelings. Dounmyoji is barely normal here, and that's what makes his part transfixing. If the show plays it right, he should take over the 2nd half of the series.
Im even hoping and maybe suspecting that they would characterize Domyouji's mother a bit different as well. Her role in both manga and MG is the stereotypical rich snobby and controlling-mommy...boring...i wish they would make her more interesting.
Couldnt have said it better. *nods vehemently*I really liked how the show has reinterpreted Dounmyoji. Instead of depicting him as the ultimate bullish, id-driven, frat-boy, they've instead shown him to be an obsessive, deeply miserable "Billy Jean." That's sure not the MG Dounmyoji and maybe not really the manga Dounmyoji, but in its own way, I think it's raised both the darkness of the core story, and the stakes at play. So, the effect has been two-fold. It enables seasoned HYD/MG fans to experience a much more intense, concentrated expression of the story. And for Jun fans, it's a showy role that really lets him go widescreen with the feelings. Dounmyoji is barely normal here, and that's what makes his part transfixing. If the show plays it right, he should take over the 2nd half of the series.
excellent interpretation!
Toritorisan, i thought i was the only one!I totally agree with you. I've seen the movie, anime, and both Meteor Garden series, yet somehow I'm still drawn to this drama even though I know what's going to happen!
I was swept by the hallyu wave too and kinda took a break from Japanese dramas. But this season there are some really good ones! I'm really glad I tuned in!
Haha... I have this dreaded feeling I'm going to sit on the fence for abit. Obsessed over BOTH korean and japanese dramas. If that doesnt make me an addict, i don't know what will!
But HYD has really got me, I'm at the point where I just wish time would fast forward so I could catch the next episode.pfff!!
It seems i'm worst than everybody here .......
I think that i've watched MG1 3 or 4 times, MG2 2 times, the Hanadan anime 5 times ( 1 in a row in two days ) and i must have read the manga at least 10 times ( yes you read it well, i sais ten times...)
I'm totally addicted to this series,it's something that really cheer me on. I've got all the scanlations on the net - thanks ShoujoMagic and the others - and i've been buying the manga since it's edited in my language ( French ), and this even if i still prefer the scans....
This way i can lend my books to my friends and familly. That 's why i'm very proud of myself !!!
I've lend all of them to my sister and since she's been almost as addicted as me ( she has watched MG1 in less than one week, lucky her that didn't have to wait for each torrent to finish ....)
the only thing i haven't seen is the movie.... i've never found it....
If someone know where to find it, he would be a lifesaver .......
I think that i've watched MG1 3 or 4 times, MG2 2 times, the Hanadan anime 5 times ( 1 in a row in two days ) and i must have read the manga at least 10 times ( yes you read it well, i sais ten times...)
I'm totally addicted to this series,it's something that really cheer me on. I've got all the scanlations on the net - thanks ShoujoMagic and the others - and i've been buying the manga since it's edited in my language ( French ), and this even if i still prefer the scans....
This way i can lend my books to my friends and familly. That 's why i'm very proud of myself !!!
I've lend all of them to my sister and since she's been almost as addicted as me ( she has watched MG1 in less than one week, lucky her that didn't have to wait for each torrent to finish ....)
the only thing i haven't seen is the movie.... i've never found it....
If someone know where to find it, he would be a lifesaver .......
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now if that's not HYD obsessive, I don't know what isookamiki wrote:It seems i'm worst than everybody here .......
I think that i've watched MG1 3 or 4 times, MG2 2 times, the Hanadan anime 5 times ( 1 in a row in two days ) and i must have read the manga at least 10 times ( yes you read it well, i sais ten times...)
I'm totally addicted to this series,it's something that really cheer me on. I've got all the scanlations on the net - thanks ShoujoMagic and the others - and i've been buying the manga since it's edited in my language ( French ), and this even if i still prefer the scans....
This way i can lend my books to my friends and familly. That 's why i'm very proud of myself !!!
I've lend all of them to my sister and since she's been almost as addicted as me ( she has watched MG1 in less than one week, lucky her that didn't have to wait for each torrent to finish ....)
the only thing i haven't seen is the movie.... i've never found it....
If someone know where to find it, he would be a lifesaver .......
While I consider myself a HYD fan, I can't imagine myself MG I & II more than 2 times at any rate.
but reading the manga's a different story..........I can reread it many times and again and not get bored of it.
I don't find it hard to watch MG. Ok, i admit that most of the time i'm watching it while doing something else ( always something i don't feel like doing...) like cleaning my room, or cooking, or things that take your times but that don't you to be concentred on it.....now if that's not HYD obsessive, I don't know what is Whistling Laugh
While I consider myself a HYD fan, I can't imagine myself MG I & II more than 2 times at any rate.
but reading the manga's a different story..........I can reread it many times and again and not get bored of it.
It's always enjoyable to do something watching those cute little guys.....
I do that with MG but it's impossible for me to do the same with the japonese version : last time i wanted to see the end of the episode but i had to cook the meal so i switch the ep to the tv next the kitchen, and somewhere it went wrong : we ended up eating pasta.... :whistling
But i saw the whole episode !!!!!
:
ookamiki, i thought i held the record for watching MG the most number of times.
Guess not anymore!haha..
Watched MG 1 thrice, MG 2 once.
You have my respect! lol.. my friends were all coming me nuts when i told them of my 'feat'.
pfff... But thus far, i've watched HYD more than twice already, considering that so far, only 4 episodes are released!
Guess not anymore!haha..
Watched MG 1 thrice, MG 2 once.
You have my respect! lol.. my friends were all coming me nuts when i told them of my 'feat'.
pfff... But thus far, i've watched HYD more than twice already, considering that so far, only 4 episodes are released!
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Cool..
I also a huge fan of Hanadan
I read ... i don't know how many times...
yesterday i was reading again
I watched all 51 episodes from anime...
i watched MG1 two times...
But MG2... >_<
gosh! I didn't pass from the 10 episode...
i have cried a lot.. and give up.. because for me MG is not HYD
If is to count this J-Drama i saw every episode at lest 3 times...
i saw in Raw, with softsubs, with hardsubs...
and when i'm doing the portuguese translation i watched again.
Well i really addict to HYD too
I also a huge fan of Hanadan
I read ... i don't know how many times...
yesterday i was reading again
I watched all 51 episodes from anime...
i watched MG1 two times...
But MG2... >_<
gosh! I didn't pass from the 10 episode...
i have cried a lot.. and give up.. because for me MG is not HYD
i saw in Raw, with softsubs, with hardsubs...
and when i'm doing the portuguese translation i watched again.
Well i really addict to HYD too
I think i watched MG around 5 to 6 times, MG 2 once ( I couldn't stand it, but i had to finish it. I agree ^^ It is NOT HYD) I also read all of the Manga, all i need to do now is finish watching thr jdrama, and the anime. Seeing that the drama is only 9 episodes, i guess they won't be showing the part the manga where
Here's another addict (big time!).
I cannot say how often I watched the anime as there are episodes that I watched only once or twice but others that I've seen like 10 or 20 times. Same goes for the drama which I mostly pick of my favourite scenes so I can watch them over and over again.
As for the manga, I reread the story up to volume 28 about 3 times completely. But there are chapters that I must have read about 50 times. Yeah, I really am addicted... I'm not an otaku or anything. It's only this story, really. It's so inspiring and sweet. There are so many emotions, too. Wheather I feel happy and I want to read something funny or I'm depressed and feel like reading something sad or I want to have those fuzzy feelings again and looking for something romantic - I'll always find something to my liking in the manga. As funny as it may sound - it really means a lot to me. Especially because the charas grew so much on me it's almost like they're real. (Not in a psycho way that I believe they actually are real or anything.)
Oh, I don't care much for MG though. But that isn't really part of the Hanadan world. More like a burglar or something.
As for your assumtions on the apple story: I came up with a really crazy idea yesterday while I was doing the laundry. Everything would make sense. And if that's it then it's something totally different from what we all thought before. It'd be too much of a concidence if that was it though. But it would be cool. More shall not be said or I'd be too embarrased if they'll prove me wrong in the future episodes.
Regarding Doumyouji, I'm not really convinced of the whole "bad karma" theory. It wouldn't make much sense to come up with a story like that in the first place. There's no connection whatsoever, right? Yet I don't believe it's to make him give up on Tsukushi, either. It's more like: He's my buddy, I've hurt him in the past and I really hope there isn't anything between the two of you so it won't end in hurting anyone again. Thus it shows his concern about his relation to Rui as much as his feelings for Tsukushi.
escapist: Gee, I didn't mean to brag about my major subject or anything, really. I just thought I found someone who studies the same. ^^; There's nothing really special about it either, to tell you the truth. However, let me tell you from what I've read from you (I followed the discussion for the last couple of days but I was too busy to reply) I really do recommend you to consider studying the same I do. You'd be perfect for it. We also have a lot of technical stuff, though. Quite a lot of maths, too. But as for the film studies part, I couldn't imagine anyone who's more qualified than you. It's always important to see the details that one usually only appreciates as a "whole beautiful it". You on the other hand really seem to be capable to filter every little piece of the puzzle and to judge it properly. I'm impressed!
And thanks, now I also know what "dream talk" part you were talking about. It wasn't really well translated in the softsubs and my listening comprehension still needs to improve, so I didn't really understand Doumyouji's monologue about REM. ^^;
~~~
Lastly I shall let you know my wishlist for Christmas:
1. Tsubaki's boots!!! (ep 3)
2. Tsukushi's scarf (ep 3 / 4)
3. Tsukushi's black dress from episode 2 (or should I say "Doumyouji's"?)
4. Shizuka's shoes that she first lent Tsukushi (ep 2), then gave her as a present (ep 3)
5. Shizuka's coat (ep 2)
6. The school uniform, including the shoes
7. Tsukushi's shoes (or "Doumyouji's) when she was dressed up by Doumyouji (ep 2)
8. A guy like Doumyouji that looks like Shun but has Jun's teeth. Errm... Although this might be hard for Santa to get. Hmm...
Phew. [/i]
I cannot say how often I watched the anime as there are episodes that I watched only once or twice but others that I've seen like 10 or 20 times. Same goes for the drama which I mostly pick of my favourite scenes so I can watch them over and over again.
As for the manga, I reread the story up to volume 28 about 3 times completely. But there are chapters that I must have read about 50 times. Yeah, I really am addicted... I'm not an otaku or anything. It's only this story, really. It's so inspiring and sweet. There are so many emotions, too. Wheather I feel happy and I want to read something funny or I'm depressed and feel like reading something sad or I want to have those fuzzy feelings again and looking for something romantic - I'll always find something to my liking in the manga. As funny as it may sound - it really means a lot to me. Especially because the charas grew so much on me it's almost like they're real. (Not in a psycho way that I believe they actually are real or anything.)
Oh, I don't care much for MG though. But that isn't really part of the Hanadan world. More like a burglar or something.
As for your assumtions on the apple story: I came up with a really crazy idea yesterday while I was doing the laundry. Everything would make sense. And if that's it then it's something totally different from what we all thought before. It'd be too much of a concidence if that was it though. But it would be cool. More shall not be said or I'd be too embarrased if they'll prove me wrong in the future episodes.
Regarding Doumyouji, I'm not really convinced of the whole "bad karma" theory. It wouldn't make much sense to come up with a story like that in the first place. There's no connection whatsoever, right? Yet I don't believe it's to make him give up on Tsukushi, either. It's more like: He's my buddy, I've hurt him in the past and I really hope there isn't anything between the two of you so it won't end in hurting anyone again. Thus it shows his concern about his relation to Rui as much as his feelings for Tsukushi.
escapist: Gee, I didn't mean to brag about my major subject or anything, really. I just thought I found someone who studies the same. ^^; There's nothing really special about it either, to tell you the truth. However, let me tell you from what I've read from you (I followed the discussion for the last couple of days but I was too busy to reply) I really do recommend you to consider studying the same I do. You'd be perfect for it. We also have a lot of technical stuff, though. Quite a lot of maths, too. But as for the film studies part, I couldn't imagine anyone who's more qualified than you. It's always important to see the details that one usually only appreciates as a "whole beautiful it". You on the other hand really seem to be capable to filter every little piece of the puzzle and to judge it properly. I'm impressed!
And thanks, now I also know what "dream talk" part you were talking about. It wasn't really well translated in the softsubs and my listening comprehension still needs to improve, so I didn't really understand Doumyouji's monologue about REM. ^^;
That's what I wanna know. Did anyone answer to this at all?And, why did Tsukasa suddenly go the the rest of the students in the canteen and do the cheering thing??
~~~
Lastly I shall let you know my wishlist for Christmas:
1. Tsubaki's boots!!! (ep 3)
2. Tsukushi's scarf (ep 3 / 4)
3. Tsukushi's black dress from episode 2 (or should I say "Doumyouji's"?)
4. Shizuka's shoes that she first lent Tsukushi (ep 2), then gave her as a present (ep 3)
5. Shizuka's coat (ep 2)
6. The school uniform, including the shoes
7. Tsukushi's shoes (or "Doumyouji's) when she was dressed up by Doumyouji (ep 2)
8. A guy like Doumyouji that looks like Shun but has Jun's teeth. Errm... Although this might be hard for Santa to get. Hmm...
Phew. [/i]
HAHAHA you're the first peron i've met who've complimented jun's teeth, even though it was an indirect compliment. jun's teeth looks better now, but it used to be REALLY REALLY bad. like REALLY bad. obviously he's had some sort of 'job' done to it. haha even now, he's got one teeth i think in his top left (top right? can't remember...) which sticks out weirdly, but the camera usually shies away from it a bit.Kathleen wrote:8. A guy like Doumyouji that looks like Shun but has Jun's teeth.
anyone notice how tall doumyouji was in the rain scene, and how the camera frame didn't show their shoes? xD i bet they made jun stand on something to make him seem taller~
I guess there´s NO EXPLANATION to this. Doumyouji do some... strange things sometimes...Kathleen wrote:And, why did Tsukasa suddenly go the the rest of the students in the canteen and do the cheering thing??
That's what I wanna know. Did anyone answer to this at all?
Kathleen, you´re the best!!!! I wish Santa could give me Doumyoji too, but looking like Jun. I don´t find Shun so good-looking at all. This is totally off-topic, but Jun, to me, is perfect. I was watching Kimi wa Petto, and he was so thin in there (he still is), but now, in HYD, he got a little chubbier, which I prefer. Bones, no, meat, yes!!!8. A guy like Doumyouji that looks like Shun but has Jun's teeth. Errm... Although this might be hard for Santa to get. Hmm...
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Oddly enough, my brother kinda looks like Shun, and a mate from university kinda looks like Jun. Waddya know? ;)
I haven't seen MG; I'll probably look for it after this J-drama finishes. My impression of MG's appeal is that it really amps up the idol / "Kings of Campus" vibe of the original storyline. Which naturally leads to a funnier, more outrageous show, and I think, would be a more valid adaptation of the storyline were a live-action adaptation allowed more episodes to breathe. The HYD J-drama can't realistically deliver that in its time span, and so instead we get basically a Donmyoji character study as seen through Makino's eyes. That's, to me, the bravest adaptation they could do, because there isn't really a convenient end point in the story arc to complete this study. To accomplish such a rounded picture, you must run a bunch of HYD story arcs in parallel from the get-go to give us a complete Domyoji, while risking a jumbled narrative. And you must have an actor who show us all facets but truly of the same soul.
Jun understands exactly what he wants to show us. His evil is monstrous, yet pathetic. Then again, so is the goodness of his love, which seems equally reared with pathos. Imagine having that much power and still having a heart of a child who's been spoiled yet starved. When you taste what truly nourishes the soul, how would you react? What would you do? How would you look at yourself, as an adult, of all the things you did, as an angry boy, in its absence? The Domyoji we see in the manga's long view, becomes a concentrate experience with THIS HYD. Can this show follow through?
But I am watching the live-action version of Mars, which has people who played the Makino and Rui, and THAT's bloody great. I understand that their acting chops significantly picked up between MG and Mars.
HYD is the "crack cocaine" of shoujo. It has one of the finest screwball romantic pairings I've ever seen or read. The characters grow up, sure, but especially the male leads remain ever true to themselves, and Makino is ever the fightingest of shoujo heroines. And especially key to these people, which is kinda a unique wrinkle in shoujo lit, is both the male and female preference to express their emotions through outrageous action than words. Meaning, they fight against and with each other into love, which in a screwball world, is closer to reality than the typical girl-save-bad-boy storyline. Just watching them fight and misunderstand and redeem each other, just like a classic 1940/1950s Hollywood comedy.
This can't be conveyed properly in the HYD J-drama, because there isn't enough time. Instead the success of this show really lies in how well they marry Makino's class struggle with Domyoji's man-child internalization of that world and Rui's platonic ceiling. And what I think the drama is eventually moving toward is Domyoji's coming-of-age and whether his maturation and release dictates whether Makino chooses Rui or Domyoji. Fans of the manga already knows the ending; but instead the J-drama wants us to study Domyoji, to really know him. Maybe to redeem him.
HYD kinda has two sides as a romance. You have the highly entertaining, classic screwball matchup with the cliques, the outrageous hair, and the comedy of fists. But you also have a depiction of truly obsessive, hungry love veering on smothering, destructive love. Ultimately, you realize that the source of her joy had never stopped being the source of her suffering too. Without the one, there couldn't have been the other. Without really understanding the connection, it can't work.
What I like about the HYD J-drama, above the other adaptation so far, is that it looks like it's getting really close to giving us a Domyoji who can understand and emphasize with Makino their bittersweet irony. Because the show has given us a Domyoji that, for all practical purposes, needs a Makino more than he likes this Makino. He is a child, nobody tells him no. But her.
The HYD anime gets maaligned by a lot of anime otakus who prefer shows like Love Hina, but I personally feel it's exceptional in its own right. First off, it has hands down one of the most romantic, lilting/stormy scores ever written for an anime. In fact, I sorely wished that I could just plunk out the J-drama's music and replace it with the main piano theme from the anime. Secondly, the anime had really unique art direction, where the backgrounds would morph in color and detail depending on the mood of the moment. Many of the night sequences have a thick, overbearing blackness to them, whereas the stairway sequences would be just barely drawn in. Domyoji's black moods would change his face into ugly purples and oranges. The anime's stage-like presentation gives the feels nearly as intimate as the manga, and Rui IMO is depicted most favorably in the anime. And, so, the anime distinguishes itself from the live-action adaptation (and even the manga) in giving us an expressive spectacle of Makino's vida loca. It is our awareness of her delicious but tart predicament that we relish.
Which is to say, there's so many ways to adapt this pliable storyline and come up with a definitive interpretation. And they're all worth visiting.
I haven't seen MG; I'll probably look for it after this J-drama finishes. My impression of MG's appeal is that it really amps up the idol / "Kings of Campus" vibe of the original storyline. Which naturally leads to a funnier, more outrageous show, and I think, would be a more valid adaptation of the storyline were a live-action adaptation allowed more episodes to breathe. The HYD J-drama can't realistically deliver that in its time span, and so instead we get basically a Donmyoji character study as seen through Makino's eyes. That's, to me, the bravest adaptation they could do, because there isn't really a convenient end point in the story arc to complete this study. To accomplish such a rounded picture, you must run a bunch of HYD story arcs in parallel from the get-go to give us a complete Domyoji, while risking a jumbled narrative. And you must have an actor who show us all facets but truly of the same soul.
Jun understands exactly what he wants to show us. His evil is monstrous, yet pathetic. Then again, so is the goodness of his love, which seems equally reared with pathos. Imagine having that much power and still having a heart of a child who's been spoiled yet starved. When you taste what truly nourishes the soul, how would you react? What would you do? How would you look at yourself, as an adult, of all the things you did, as an angry boy, in its absence? The Domyoji we see in the manga's long view, becomes a concentrate experience with THIS HYD. Can this show follow through?
But I am watching the live-action version of Mars, which has people who played the Makino and Rui, and THAT's bloody great. I understand that their acting chops significantly picked up between MG and Mars.
HYD is the "crack cocaine" of shoujo. It has one of the finest screwball romantic pairings I've ever seen or read. The characters grow up, sure, but especially the male leads remain ever true to themselves, and Makino is ever the fightingest of shoujo heroines. And especially key to these people, which is kinda a unique wrinkle in shoujo lit, is both the male and female preference to express their emotions through outrageous action than words. Meaning, they fight against and with each other into love, which in a screwball world, is closer to reality than the typical girl-save-bad-boy storyline. Just watching them fight and misunderstand and redeem each other, just like a classic 1940/1950s Hollywood comedy.
This can't be conveyed properly in the HYD J-drama, because there isn't enough time. Instead the success of this show really lies in how well they marry Makino's class struggle with Domyoji's man-child internalization of that world and Rui's platonic ceiling. And what I think the drama is eventually moving toward is Domyoji's coming-of-age and whether his maturation and release dictates whether Makino chooses Rui or Domyoji. Fans of the manga already knows the ending; but instead the J-drama wants us to study Domyoji, to really know him. Maybe to redeem him.
HYD kinda has two sides as a romance. You have the highly entertaining, classic screwball matchup with the cliques, the outrageous hair, and the comedy of fists. But you also have a depiction of truly obsessive, hungry love veering on smothering, destructive love. Ultimately, you realize that the source of her joy had never stopped being the source of her suffering too. Without the one, there couldn't have been the other. Without really understanding the connection, it can't work.
What I like about the HYD J-drama, above the other adaptation so far, is that it looks like it's getting really close to giving us a Domyoji who can understand and emphasize with Makino their bittersweet irony. Because the show has given us a Domyoji that, for all practical purposes, needs a Makino more than he likes this Makino. He is a child, nobody tells him no. But her.
The HYD anime gets maaligned by a lot of anime otakus who prefer shows like Love Hina, but I personally feel it's exceptional in its own right. First off, it has hands down one of the most romantic, lilting/stormy scores ever written for an anime. In fact, I sorely wished that I could just plunk out the J-drama's music and replace it with the main piano theme from the anime. Secondly, the anime had really unique art direction, where the backgrounds would morph in color and detail depending on the mood of the moment. Many of the night sequences have a thick, overbearing blackness to them, whereas the stairway sequences would be just barely drawn in. Domyoji's black moods would change his face into ugly purples and oranges. The anime's stage-like presentation gives the feels nearly as intimate as the manga, and Rui IMO is depicted most favorably in the anime. And, so, the anime distinguishes itself from the live-action adaptation (and even the manga) in giving us an expressive spectacle of Makino's vida loca. It is our awareness of her delicious but tart predicament that we relish.
Which is to say, there's so many ways to adapt this pliable storyline and come up with a definitive interpretation. And they're all worth visiting.
Last edited by slippyepic on Nov 17th, '05, 02:45, edited 1 time in total.
I still have disagree about the karma theory not having any connection but I think your theory also makes a lot of sense since in this drama they've emphasized Doumyoji's value of his friendship with Rui quite a bit. Actually, I think both theories could work simultaneously. Doumyoji doesn't want the people he cares about to get hurt but at the same time, he doesn't want to lose Makino.Kathleen wrote:Regarding Doumyouji, I'm not really convinced of the whole "bad karma" theory. It wouldn't make much sense to come up with a story like that in the first place. There's no connection whatsoever, right? Yet I don't believe it's to make him give up on Tsukushi, either. It's more like: He's my buddy, I've hurt him in the past and I really hope there isn't anything between the two of you so it won't end in hurting anyone again. Thus it shows his concern about his relation to Rui as much as his feelings for Tsukushi.
Lol. I think Jun's is just that taller than Inoue Mao.unkei wrote:anyone notice how tall doumyouji was in the rain scene, and how the camera frame didn't show their shoes? xD i bet they made jun stand on something to make him seem taller~
slippyepic: That is awesome. You are awesome.
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Slippyepic I'm your fan \o/
I agree with everything that you said. And i can't put this in better words..
but i would like to share some thoughts that i have when i was reading your post....
But you know.. even with this the are some scenes that if we read the manga you see line to line exactly the same in J-Drama...
They do this very well.. is good adaption... really good.
Because this i don't think that was a drama to fill some place.. like i read sometime ago..
that happened with me.. i was asking myself.. What is so great about Doumyoji?
When I was reading again the manga..
And I fall in love again ( and more) for this character...
for me they could bring something better...
I agree with everything that you said. And i can't put this in better words..
but i would like to share some thoughts that i have when i was reading your post....
Yep..I totally agree...I never though this way..but its how is... They show was different views...slippyepic wrote: The HYD J-drama can't realistically deliver that in its time span, and so instead we get basically a Donmyoji character study as seen through Makino's eyes. That's, to me, the bravest adaptation they could do, because there isn't really a convenient end point in the story arc to complete this study. To accomplish such a rounded picture, you must run a bunch of HYD story arcs in parallel from the get-go to give us a complete Domyoji, while risking a jumbled narrative. And you must have an actor who show us all facets but truly of the same soul.
But you know.. even with this the are some scenes that if we read the manga you see line to line exactly the same in J-Drama...
They do this very well.. is good adaption... really good.
Because this i don't think that was a drama to fill some place.. like i read sometime ago..
Yep. He is really god at this isn'`t he? I already see Jun in my mind when i think in TsukasaJun understands exactly what he wants to show us.
Ohhhhh OMG... this is Tsukasa Doumyoji.... i could not put that in better words...Imagine having that much power and still having a heart of a child who's been spoiled yet starved.
I hope that they could... because is so good until now..
The Domyoji we see in the manga's long view, becomes a concentrate experience with THIS HYD. Can this show follow through?
Yep. Mars is really good. Another good shoujo. And the Taiwan Drama are really good.. really really good.. i liked very much. And even my friends that are not used to Asian Drama loved.But I am watching the live-action version of Mars, which has people who played the Makino and Rui, and THAT's bloody great. I understand that their acting chops significantly picked up between MG and Mars..
Heheh good definition...HYD is the "crack cocaine" of shoujo.
Yep again. is all this.. and because of that.. HYD is is my favorite history ever...
It has one of the finest screwball romantic pairings I've ever seen or read.
The characters grow up, sure, but especially the male leads remain ever true to themselves,
and Makino is ever the fightingest of shoujo heroines.
And especially key to these people, which is kinda a unique wrinkle in shoujo lit,
is both the male and female preference to express their emotions through outrageous action than words.
Meaning, they fight against and with each other into love, which in a screwball world, is closer to reality than the typical girl-save-bad-boy storyline.
Just watching them fight and misunderstand and redeem each other, just like a classic 1940/1950s Hollywood comedy.
This is sad... could be enough time... >_<
This can't be conveyed properly in the HYD J-drama, because there isn't enough time.
Yep.. again..again..the J-drama wants us to study Domyoji, to really know him. Maybe to redeem him.
that happened with me.. i was asking myself.. What is so great about Doumyoji?
When I was reading again the manga..
And I fall in love again ( and more) for this character...
really great conclusion... really.. i liked very much.. I fell the same...HYD kinda has two sides as a romance. You have the highly entertaining, classic screwball matchup with the cliques, the outrageous hair, and the comedy of fists. But you also have a depiction of truly obsessive, hungry love veering on smothering, destructive love. Ultimately, you realize that the source of her joy had never stopped being the source of her suffering too. Without the one, there couldn't have been the other. Without really understanding the connection, it can't work
the HYD J-drama ... to giving us a Domyoji who can understand and emphasize with Makino their bittersweet irony. Because the show has given us a Domyoji that, for all practical purposes, needs a Makino more than he likes this Makino. He is a child, nobody tells him no. But her.
....
.
I agree with you about HYD anime, i just don't like the end...The HYD anime ...
First off, it has hands down one of the most romantic, lilting/stormy scores ever written for an anime...
Secondly, the anime had really unique art direction, where the backgrounds would morph in color and detail depending on the mood of the moment....
...And, so, the anime distinguishes itself from the live-action adaptation (and even the manga) in giving us an expressive spectacle of Makino's vida loca. It is our awareness of her delicious but tart predicament that we relish.
.
for me they could bring something better...
Which is to say, there's so many ways to adapt this pliable storyline and come up with a definitive interpretation. And they're all worth visiting.
Yep.Yep.Yep.
And again i think that you are right...
And is so good talk about HYD...
This thread is very interesting because..
we are not trying to get solution ( because don't have problems...)
But to talk about this series that move our hearts...
you post make my day... i really liked.
^__^[/spoiler]
Unkei: I posted this in the other section already but just so you won't miss it: http://z18.zupload.com/download.php?fil ... epath=3796
When I saw this I was like.... O---M---G---...!!! What on earth is this? He had fine teeth in Gokusen, hadn't he?That's, his teeth looked pretty fine to me in ep 7. Does that mean he had his teeth fixed somewhere between ep 1 and 7? I really tried to find a scene where you see his teeth in the first few episodes but that guy never laughs or smiles, so nada. This is kind of creepy actually. Just like watching Sakurako's old year book. Or finding out your prince in truth is a frog. Or the beast isn't a bewitched hot guy but vice versa. (...) Anyways, you got my point, didn't you? It seems SO unreal to see Jun with those teeth. Good he had that job on them. Really good... Some good thing I noticed about this interview is he seemed kind of shy back then which I find very cute actually. He's like a vague doubleganger of the guy that now plays Doumyouji. Not only his looks have changed a lot.
Shun looks so... SO manly in this. Plus he's got that special something that gives me goosebumps. I like the rather reserved type anyway. Reserved not as in terms of being desinterested in everything but more like not caring too much about what others think about one and only living for oneself. Jun, no offence, seems to enjoy making a big show which doesn't really meet my personal taste.
slippyepic: Gosh, your post is really good! Too good, almost. I don't have the time to respond to it although I really want to. Just some random thoughts:
And once again, I'm not saying anything like he's a borderliner or something. As I'm informed almost everone of us has some borderline traits sometimes. It's mostly when we don't know how to deal with a new situation and first need to find out how far we can go. As for Doumyouji, my guess is he subconciously tries to find a person that is worth to be loved. Or other way around: He wants to get rid of everyone who's not.
Also very interesting: "Wimps, Whiners, Weenies - Men in Movies Today" by Don Feder.
I'm actually not too fond of the guy but since I had to do a report on his article there was no chance to avoid it. ^^ I found one particular paragraph quite amusing:
If women must be men, what's left for men to be? In the real world, a man finds the ultimate expression of his identity in his relationship with a woman. A man (who is usually stronger and more able to endure physical hardship) is at his best when providing for, protecting, comforting, and loving a woman. If movie women are themselves fearless and indomitable, a strong man provides no contrast. All that's left for male characters is to wallow in their emotions, agonize over their fate, play the fool, and show their helplessness.
First thought that popped up in my mind was: Dangit, he's SO right, and yet doesn't Doumyouji seem pathetic in the least! This may be what makes him and the whole Hanadan romance so special: We have a REALLY strong heroine but at the same time a guy that always stands his ground, always suffers when not being with her but never cries or whines.
I think such a scenario can only build up with the required ressources which the drama doesn't bring. The drama does tell a good story but it's not really Hana yori Dango whereas the anime at least placed a similar feeling to its pattern, eventhough there are some major differences.
(My apologies if much of what I wrote doesn't make sense. It's late and I had a very long day. Probably be back tomorrow and edit. =_=)
When I saw this I was like.... O---M---G---...!!! What on earth is this? He had fine teeth in Gokusen, hadn't he?That's, his teeth looked pretty fine to me in ep 7. Does that mean he had his teeth fixed somewhere between ep 1 and 7? I really tried to find a scene where you see his teeth in the first few episodes but that guy never laughs or smiles, so nada. This is kind of creepy actually. Just like watching Sakurako's old year book. Or finding out your prince in truth is a frog. Or the beast isn't a bewitched hot guy but vice versa. (...) Anyways, you got my point, didn't you? It seems SO unreal to see Jun with those teeth. Good he had that job on them. Really good... Some good thing I noticed about this interview is he seemed kind of shy back then which I find very cute actually. He's like a vague doubleganger of the guy that now plays Doumyouji. Not only his looks have changed a lot.
I think Jun looks really cute. Like I'd want my (future) son to look like. But as a lover... Hmm... I cannot really think of him as a man... yet. But then again, he is younger after all. Even if it's just a year. However, I was never all that thrilled about Shun, either. But ever since I started watching Densha Otoko I'm likeshiruchan wrote:I wish Santa could give me Doumyoji too, but looking like Jun. I don´t find Shun so good-looking at all.
Shun looks so... SO manly in this. Plus he's got that special something that gives me goosebumps. I like the rather reserved type anyway. Reserved not as in terms of being desinterested in everything but more like not caring too much about what others think about one and only living for oneself. Jun, no offence, seems to enjoy making a big show which doesn't really meet my personal taste.
But with all the possibilities of picturing something like that, why should they stick to an idea of the manga that screams for making us see Doumyouji actually has his times when he's feeling guilty? Why bothering with a story that's only (original) purpose was to disarm him for once? If the karma theory was right then where's the difference between the usual selfish and spoiled Doumyouji and the one that reflects on the apple story? (Too many questions.)renko wrote:I still have disagree about the karma theory not having any connection
slippyepic: Gosh, your post is really good! Too good, almost. I don't have the time to respond to it although I really want to. Just some random thoughts:
This is exactly my point and the one thing I'm mostly worried about. It's not like I have a problem with some changes they made so that the story will work out as close a margin as possible - it's more about some basics that make the story for what it is. One of those basics is Doumyouji's unconditional love for the one person that ever managed to make him want to become a better person. It's not like the original Tsukushi is just some girl that took heart to answer him back once. As there's only little scope they probably won't go too deep into Doumyouji's past which is why we get everything spelled out, like having him at the verge of tears when saying good-bye to Rui for instance. Tsukushi in the manga and anime is a girl that, once she broke out of her reserve, never hesitates to speak up to him. She treats him like a person, not like a Doumyouji - when he's irritating she shouts as him, when he's being nice he gets to see her smile (or more likely wide-eyed ^^). As he's always been surrounded by people who looked up to him only because of his name and even having business men and models trying anything to get near him for ulteriour motives (in one word: money) he has never trusted anyone no matter how friendly. With Tsukushi always fighting back but at the same time actually being friendly now and then he has finally found someone who's authentic enough to have faith in, and occasionally sweet and cute enough to love. I'm not particularly seeing the 'kick in the face' as some key moment that makes him madly fall for her as she resembles his sister. It's more like in this right moment he realizes there's actually someone aside from his sister who is honest and whom he can't intimidate as easily. This is kind of going off topic, but I guess you have already heard of so-called "Borderliners". Generally speaking, borderliners tend to carry anything to extremes. Sometimes it's out of fear, sometimes it's because of shakiness in a relation or something, in some cases it's simply out of boredom. Doumyouji who also shows this pattern (and I'm not saying he is a borderliner!), has always been used to meeting people who would kiss his feet for various motives which seems to result in trying to do anything in order to keep people away from himself. Although the Doumyouji from the manga and anime might be as lonely as the one from the drama (I'd even go as far as to say he "yearns for love" as the drama Doumyouji does), there's way more required for him to fall in love as deeply as he originally does. Having Makino doing practicuarly nothing in the drama, yet seeing Doumyouji head over heels for her is something I'm seriously having my problems with.slippyepic wrote:HYD kinda has two sides as a romance. You have the highly entertaining, classic screwball matchup with the cliques, the outrageous hair, and the comedy of fists. But you also have a depiction of truly obsessive, hungry love veering on smothering, destructive love. Ultimately, you realize that the source of her joy had never stopped being the source of her suffering too. Without the one, there couldn't have been the other.
[...]
Because the show has given us a Domyoji that, for all practical purposes, needs a Makino more than he likes this Makino. He is a child, nobody tells him no. But her.
And once again, I'm not saying anything like he's a borderliner or something. As I'm informed almost everone of us has some borderline traits sometimes. It's mostly when we don't know how to deal with a new situation and first need to find out how far we can go. As for Doumyouji, my guess is he subconciously tries to find a person that is worth to be loved. Or other way around: He wants to get rid of everyone who's not.
Also very interesting: "Wimps, Whiners, Weenies - Men in Movies Today" by Don Feder.
I'm actually not too fond of the guy but since I had to do a report on his article there was no chance to avoid it. ^^ I found one particular paragraph quite amusing:
If women must be men, what's left for men to be? In the real world, a man finds the ultimate expression of his identity in his relationship with a woman. A man (who is usually stronger and more able to endure physical hardship) is at his best when providing for, protecting, comforting, and loving a woman. If movie women are themselves fearless and indomitable, a strong man provides no contrast. All that's left for male characters is to wallow in their emotions, agonize over their fate, play the fool, and show their helplessness.
First thought that popped up in my mind was: Dangit, he's SO right, and yet doesn't Doumyouji seem pathetic in the least! This may be what makes him and the whole Hanadan romance so special: We have a REALLY strong heroine but at the same time a guy that always stands his ground, always suffers when not being with her but never cries or whines.
I think such a scenario can only build up with the required ressources which the drama doesn't bring. The drama does tell a good story but it's not really Hana yori Dango whereas the anime at least placed a similar feeling to its pattern, eventhough there are some major differences.
(My apologies if much of what I wrote doesn't make sense. It's late and I had a very long day. Probably be back tomorrow and edit. =_=)
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I guess part of it depends on whether you see Jun's Domyoji as an Aries kind of guy or a Scorpio kind of guy.
If the latter, then I would argue the J-drama's interpretation of Domyoji has been absolutely stunning. If the former, then the argument goes that it's inevitably going to turn into a "good girl corrects bad boy" storyline, which really isn't what HYD made special.
I tend to see the HYD love affair, though, as a projection of Makino's own loneliness. Rui is a creation of her mind. And her Domyoji relationship is really a dialogue of her complex relationship with her society. That is, the more we know how miserable she has been at school, the better we understand her feelings toward Domyoji. And, in this drama, the better we understand Domyoji, the clearer we understand how cruel Makino's Alice-in-Wonderland world is.
From my point of view, the key thing was the director's choice in turning HYD into a satirical, slightly gothic story on class and loneliness. Makino doesn't belong in this world, and I mean that this world may quite possibly be insane. But Domyoji is the human manifestation of this world, its strange rules, its deceptive notions of charity, and ultimately its basic disconnect with common sense and decency.
HYD J-drama can end up basically three ways. Either, Makino is subsumed into this world, and that she "corrects" Domyoji. Or, that Makino is nearly destroyed by this world, and that Domyoji must break from it.
Or, choice C), Domyoji breaks, and Makino goes "I told you Domyoji. I told you so."
Naturally, I want C.
I'll follow up with more later . . .
If the latter, then I would argue the J-drama's interpretation of Domyoji has been absolutely stunning. If the former, then the argument goes that it's inevitably going to turn into a "good girl corrects bad boy" storyline, which really isn't what HYD made special.
I tend to see the HYD love affair, though, as a projection of Makino's own loneliness. Rui is a creation of her mind. And her Domyoji relationship is really a dialogue of her complex relationship with her society. That is, the more we know how miserable she has been at school, the better we understand her feelings toward Domyoji. And, in this drama, the better we understand Domyoji, the clearer we understand how cruel Makino's Alice-in-Wonderland world is.
From my point of view, the key thing was the director's choice in turning HYD into a satirical, slightly gothic story on class and loneliness. Makino doesn't belong in this world, and I mean that this world may quite possibly be insane. But Domyoji is the human manifestation of this world, its strange rules, its deceptive notions of charity, and ultimately its basic disconnect with common sense and decency.
HYD J-drama can end up basically three ways. Either, Makino is subsumed into this world, and that she "corrects" Domyoji. Or, that Makino is nearly destroyed by this world, and that Domyoji must break from it.
Or, choice C), Domyoji breaks, and Makino goes "I told you Domyoji. I told you so."
Naturally, I want C.
I'll follow up with more later . . .
I don't quite understand. How does seeing Doumyoji as an Aries or Scorpio guy affect the storyline? So you're saying if he's a Scorpio kind of guy, it doesn't take much for him to fall deeply in love even though as Kathleen says, there really isn't much reason he does (in the drama).slippyepic wrote:I guess part of it depends on whether you see Jun's Domyoji as an Aries kind of guy or a Scorpio kind of guy.
If the latter, then I would argue the J-drama's interpretation of Domyoji has been absolutely stunning. If the former, then the argument goes that it's inevitably going to turn into a "good girl corrects bad boy" storyline, which really isn't what HYD made special.
.
And in any case, I think Doumyoji was an Aquarius.
You must write a lot of academic papers, your writing reads like a research essay!
I was saying that this is what makes the romance in Hanadan so special. And since the romance is a huge part of the story it's closely connected to the main purpose in my opinion.slippyepic wrote: "good girl corrects bad boy" storyline, which really isn't what HYD made special.
I agree with you as for the beginning of the story when the main focus still lay on the bullying at school, but as we hardly get to read anything of it later on in the manga I think it can be regarded as something she has conquered.
Whereas I have no doubts whatsoever that Tsukushi is the main character and we get to learn the most about her inner thoughts and feelings, I'm still of the opinion the whole story wouldn't work out if it wasn't for Doumyouji. As the story continues we get to see her changing a lot, but this can only happen in connection with Doumyouji's changed attitudes, thus his development affects the course of the story.
Excuse me but what's that about Aries and Scorpio? As moonlit says he's Aquarius. Or is this some kind of metaphor I don't quite understand?
Edit:
This reads like... Ahhh... I totally agree with moonlit. You're very skilled at writing and analyzing! I got goosebumps when I read this, seriously! Not a thing to get all excited about or anything, but anyway...slippyepic wrote: From my point of view, the key thing was the director's choice in turning HYD into a satirical, slightly gothic story on class and loneliness. Makino doesn't belong in this world, and I mean that this world may quite possibly be insane. But Domyoji is the human manifestation of this world, its strange rules, its deceptive notions of charity, and ultimately its basic disconnect with common sense and decency.
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I was being facetious. A mate and I have been yapping about astrology all day. ;) (Though, yes, in the manga, he is an Aquarius and Makino is a Capricorn. Which, BTW, is a popular match.)I don't quite understand. How does seeing Doumyoji as an Aries or Scorpio guy affect the storyline? So you're saying if he's a Scorpio kind of guy, it doesn't take much for him to fall deeply in love even though as Kathleen says, there really isn't much reason he does (in the drama).
Arigato. But, seriously, for various sites, I think I've written a few thousands words on what makes Hana Yori Dango so great as a romance. I like to call Hana Yori Dango, the "Rage of the Doumyoji" because, well I pretty much live for Doumyoji blowing his gasket, bringing the pain to his enemies. But I also admire, as you mentioned before, the way in which you have two willful, but inarticulate and inexperienced characters butting heads and commiserating with each other. It's a mad, mad world in which they live.This reads like... Ahhh... I totally agree with moonlit. You're very skilled at writing and analyzing! I got goosebumps when I read this, seriously! Not a thing to get all excited about or anything, but anyway...
In the manga, he wants to win over Makino. In the anime, he wants to consume Makino. I'm guessing in the MG, he wants to buy/earn Makino. In the J-drama, it is still up in the air, what Makino means to Doumyoji. Except that, well, he's developed a terrible case of the conscience and it looks like Jun is starting to realize the horror of his actions. Instant karma, indeed.
We'll better read the intentions of the drama in the next episode. Director can't go back on that. But already I think this is a wonderful adaptation of her mad world. And I want Jun in a total Jesus Christ pose, casually damning the situation Makino is in, and paying for his sins. It would be lovely if we end up getting the "Passion of the Doumyoji", the agony and ecstasy of his ego feeding the problems Makino must overcome.
Nah, you're asking good questions. ^_^Kathleen wrote:But with all the possibilities of picturing something like that, why should they stick to an idea of the manga that screams for making us see Doumyouji actually has his times when he's feeling guilty? Why bothering with a story that's only (original) purpose was to disarm him for once? If the karma theory was right then where's the difference between the usual selfish and spoiled Doumyouji and the one that reflects on the apple story? (Too many questions.)
I think the problem here is that 'karma' may not have been an appropriate word choice (due to some of its connotative meanings). The main point that I was trying to bring across was that in that scene, Doumyoji was not saying that he would be willing to give Makino up, but that he was voicing a fear. Whether it was a fear of losing Makino or that the people he cared about would potentially get hurt, I think both of those would work. I hope that was clear.
I couldn't agree more. The business and political world is corruptive and as that is the world Doumyoji had spent all his life in, it's no wonder he has trust issues. Having someone like Makino enter his life was no doubt a huge relief on his poor mind and heart as he had spent the last 17-18 years having no one to trust his heart to. It's human nature to want to interact with other individuals, to want to trust and to love. Without all of that, it's difficult to grow. Doumyoji was deprived of all of that, and it's hard to be a good person when you have no one to be good for, especially when you can't even do it for yourself.Kathleen wrote:Tsukushi in the manga and anime is a girl that, once she broke out of her reserve, never hesitates to speak up to him. She treats him like a person, not like a Doumyouji - when he's irritating she shouts as him, when he's being nice he gets to see her smile (or more likely wide-eyed ^^). As he's always been surrounded by people who looked up to him only because of his name and even having business men and models trying anything to get near him for ulteriour motives (in one word: money) he has never trusted anyone no matter how friendly. With Tsukushi always fighting back but at the same time actually being friendly now and then he has finally found someone who's authentic enough to have faith in, and occasionally sweet and cute enough to love.
Ooh, that is a very good quote. ^^ This is off-topic but I think people are forgetting something when they rant on about how women are suppressed and restricted, etc. : the men! I'm not saying that women are not suppressed and restricted but men have it hard too. Society expects so much from them. For them to be macho, strong, and on the top of everything. Society doesn't allow them to be vulnerable, weak, and emotional. If they ever feel it, they have to suppress it, beat it down and lock it away in a chest because if they reveal that that's is what they're feeling, society will brutally butcher them to pieces for not being "man" enough. In other words, society doesn't let men be human.Kathleen wrote:If women must be men, what's left for men to be? In the real world, a man finds the ultimate expression of his identity in his relationship with a woman. A man (who is usually stronger and more able to endure physical hardship) is at his best when providing for, protecting, comforting, and loving a woman. If movie women are themselves fearless and indomitable, a strong man provides no contrast. All that's left for male characters is to wallow in their emotions, agonize over their fate, play the fool, and show their helplessness.
Okay, sorry, I'm ranting. ^^;;
And slippyepic: that was wonderful. !
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I think the song is called "Planetarium" by Otsuka Ai.
Instead of men using women as the mouthpiece for their ego identity, or women using men as their ultimate makeover project, we in our post-sexist world, should reinvest ourselves in recognizing and accepting our differences and working toward a more honest dialogue. If men should feel so "powerless" from empowered women, maybe they should stop competing with their women and actually accept their partner's strength and social status as a source of constructive criticism and reinvention. And likewise, women should let go of unrealistic expectations of emotional security with their men. HYD, our illustrious couple harbours no illusions of each other and they fight like cats and dogs. But their basic bond is tighter than a fist and their trust is deeper than the wildest pastures. If it's a nutty, fantastic relationship, it's still real.
But, HYD nevertheless lingers in the comic, romantic imagination. Doumyoji will always be a scoundrel, and Makino will always be a weed. They play a sort of romantic football on the lawns of some privileged playground of the bored, and we the audience lap up the score. And nobody in the seats wants to tell this incorrigibly lovable duo that they're playing for the same team, because we enjoy his hooliganism and her gritty footwork. Such is the perfect screwball couple.
Kathleen, as I believe you're alluding to, the one key weakness is that there isn't enough games in this season. In giving us the Jun-ifcation of Dounymoji, the ultimate character study of his world and his dog-eat-dog heart, they've also made turn the wacky bloodsport of this drama into an introverted "his and her circumstances" tell-all. We simply don't see enough Doumyoji and Makino. And, we wonder whether they're falling in love by themselves.
The romantic triangle dissolves into a Catholic penance. But, we can already see that in Donmyoji's first act of cruelty, he is a man unrelieved of his evil. And that is what gives him the Byronic dimension which veers farthest from the HYD ethos. In all other versions of the story, Donmyoji seeks to rule the world (he naturally enjoys power) in order to make Makino his. In this drama, without realizing yet, he really seeks to transcend it, because he is dependent on it. Like all people with extreme compulsions, this Donymoji is not seeking validation or pleasure in the act but release from an itch he can't scratch. He is simply seeking release without a moral compass. His manner is fey; when he attacks somebody, it's as if he's trying to wipe off a blemish. His anger is full of jealousy; he seethes with intensely imagined attachment. What he surprises isn't a kingdom with his queen, but a world completely unlike the one is. One that is peaceful. One that is whole. A perfect harmony, which is the most further thing from his control, and one he craves like a child/monster for the precious. Why is the jigsaw scene so sad? Because this is his only imitation of love.
This drama's Doumyoji is man of unrelieved cruelty who becomes a man of unrelieved conscience. The manga's Dounmyoji was never so conflicted, so genuinely repulsed, by Makino. In the manga, for a spoiled prince like him, he was never so terrified of his loneliness made light by her existence. But from episode 1, he seems a man already caved in by subconscious pressure, by a murky film that he cannot wipe clean from his very atmosphere. In other words, I truly believe the manga Dounmyoji, weird and boorish, was still happy before he met her. He didn't know any better. In this drama, I know nothing made him happy. Here, he didn't know how to make it better.
Thus, by the dearth of early Makino-Donmyoji appearances in the J-drama, I would argue that, though more or less the stages of the manga are being followed in proper succession, the emotional chronology is still way behind the manga. It'll be especially interesting how the next episode plays, because its consequences has to mean differently to Makino and Donmyoji than it did in the manga. Makino isn't searching for validation from Dounmyoji. Dounmyoji doesn't quite realize the moral depths of his shadow, let alone his heart.
So, in the above regard, I can totally see your view point, Kathleen, about this drama's really fundamental difference with the manga. We have already kept tally of the emotional points won at each point in the original storyline; we know what each player should feel at every stopping point. And we recognize this adaptation, in changing lanes, hasn't really let us enjoy the basic appeal of the main scenery. But, in this version, we see the entire terrain from the get-go, the reasons for his stop at her heart, the road blocks between, and above all, how truly difficult the road will be. We've seen it all at once; now we hope they will stop to enjoy what a glorious journey they do take.
For me, I find this interpretation, this intepretation of Donmyoji and of Makino's survival, so satisfying and truly valid . . .
The J-drama's made us wait long enough. We've enjoyed the show's tour of their circumstances; from now on, the focus should be about those two. In the same scene, through the same obstacles, and hopefully to the same midpoint ending of the manga.
BTW, I just want to reiterate that I don't take HYD as seriously (or, erm, academically) as it seems here. This show is just bloody funny and well-made to me. But this story does mean a lot to me, and for me, it takes a lot of words to put down what this story makes me feel, and what a burnished gem this particular adaptation turned out to be. I just wanted to honour their work.
Sigh. What immature, wrong-headed thinking. Of COURSE, Don Feder would say something so juvenile . . .If women must be men, what's left for men to be? In the real world, a man finds the ultimate expression of his identity in his relationship with a woman. A man (who is usually stronger and more able to endure physical hardship) is at his best when providing for, protecting, comforting, and loving a woman. If movie women are themselves fearless and indomitable, a strong man provides no contrast. All that's left for male characters is to wallow in their emotions, agonize over their fate, play the fool, and show their helplessness.
True, and it's why many men, especially ones who haven't honestly disclosed themselves and compromised in a lengthy, mature relationship, still cling to the mythology of a perfect or idealized woman. For, though many men would like to say their ideal romance is an authentic, honest one, they still essentially project their egos upon the other person. They substitute passion for empathy, poetic foreplay for compassion, and cynicism for honesty. A woman can never be a human being with different opinions, different goals, and maybe a different view of the relationship. They have to be one with the man; they have to complete the man; they are relative to the man. Men knows "themselves" in a woman, they don't want the woman to change. They never really wanted to change.If women must be men, what's left for men to be? In the real world, a man finds the ultimate expression of his identity in his relationship with a woman.
. . . and allow the woman to "domesticate." Which is an illusion many women cling to, the idea that they uniquely understand their man and that they're uniquely able to change or remake their man. Many women cannot understand why the relationship isn't more important to the man, without understanding that the man sees the relationship as a static constant, a reliable fall-back position, and that what the man is really seeking is more validation, more ways to project or express themselves through their female partner.All that's left for male characters is to wallow in their emotions, agonize over their fate, play the fool, and show their helplessness.
Instead of men using women as the mouthpiece for their ego identity, or women using men as their ultimate makeover project, we in our post-sexist world, should reinvest ourselves in recognizing and accepting our differences and working toward a more honest dialogue. If men should feel so "powerless" from empowered women, maybe they should stop competing with their women and actually accept their partner's strength and social status as a source of constructive criticism and reinvention. And likewise, women should let go of unrealistic expectations of emotional security with their men. HYD, our illustrious couple harbours no illusions of each other and they fight like cats and dogs. But their basic bond is tighter than a fist and their trust is deeper than the wildest pastures. If it's a nutty, fantastic relationship, it's still real.
Wuthering Heights. Pride and Prejudice. Gone with the Wind. All About Eve. Key Largo. Titanic. Say Anything. English Patient. House of Flying Daggers. Really, all great screwball comedies, and that includes Hana Yori Dango, which refutes the romantic chauvinism Feder seems to criticize and yet espouse.If movie women are themselves fearless and indomitable, a strong man provides no contrast.
But, HYD nevertheless lingers in the comic, romantic imagination. Doumyoji will always be a scoundrel, and Makino will always be a weed. They play a sort of romantic football on the lawns of some privileged playground of the bored, and we the audience lap up the score. And nobody in the seats wants to tell this incorrigibly lovable duo that they're playing for the same team, because we enjoy his hooliganism and her gritty footwork. Such is the perfect screwball couple.
Kathleen, as I believe you're alluding to, the one key weakness is that there isn't enough games in this season. In giving us the Jun-ifcation of Dounymoji, the ultimate character study of his world and his dog-eat-dog heart, they've also made turn the wacky bloodsport of this drama into an introverted "his and her circumstances" tell-all. We simply don't see enough Doumyoji and Makino. And, we wonder whether they're falling in love by themselves.
The romantic triangle dissolves into a Catholic penance. But, we can already see that in Donmyoji's first act of cruelty, he is a man unrelieved of his evil. And that is what gives him the Byronic dimension which veers farthest from the HYD ethos. In all other versions of the story, Donmyoji seeks to rule the world (he naturally enjoys power) in order to make Makino his. In this drama, without realizing yet, he really seeks to transcend it, because he is dependent on it. Like all people with extreme compulsions, this Donymoji is not seeking validation or pleasure in the act but release from an itch he can't scratch. He is simply seeking release without a moral compass. His manner is fey; when he attacks somebody, it's as if he's trying to wipe off a blemish. His anger is full of jealousy; he seethes with intensely imagined attachment. What he surprises isn't a kingdom with his queen, but a world completely unlike the one is. One that is peaceful. One that is whole. A perfect harmony, which is the most further thing from his control, and one he craves like a child/monster for the precious. Why is the jigsaw scene so sad? Because this is his only imitation of love.
This drama's Doumyoji is man of unrelieved cruelty who becomes a man of unrelieved conscience. The manga's Dounmyoji was never so conflicted, so genuinely repulsed, by Makino. In the manga, for a spoiled prince like him, he was never so terrified of his loneliness made light by her existence. But from episode 1, he seems a man already caved in by subconscious pressure, by a murky film that he cannot wipe clean from his very atmosphere. In other words, I truly believe the manga Dounmyoji, weird and boorish, was still happy before he met her. He didn't know any better. In this drama, I know nothing made him happy. Here, he didn't know how to make it better.
So, in the above regard, I can totally see your view point, Kathleen, about this drama's really fundamental difference with the manga. We have already kept tally of the emotional points won at each point in the original storyline; we know what each player should feel at every stopping point. And we recognize this adaptation, in changing lanes, hasn't really let us enjoy the basic appeal of the main scenery. But, in this version, we see the entire terrain from the get-go, the reasons for his stop at her heart, the road blocks between, and above all, how truly difficult the road will be. We've seen it all at once; now we hope they will stop to enjoy what a glorious journey they do take.
For me, I find this interpretation, this intepretation of Donmyoji and of Makino's survival, so satisfying and truly valid . . .
BTW, I just want to reiterate that I don't take HYD as seriously (or, erm, academically) as it seems here. This show is just bloody funny and well-made to me. But this story does mean a lot to me, and for me, it takes a lot of words to put down what this story makes me feel, and what a burnished gem this particular adaptation turned out to be. I just wanted to honour their work.
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hmm.. i finished reading the manga a while ago.. and i'm feeling so sad cuz of the ending.. i prob shouldn't be.. but.. >_<;;; i'm feeling a bit upset even..
hmm.. ppl have been saying how jun played a *superb* role as doumyouji.. i see the reason.. but now that i think of it, i don't think i see daomingsi in mg or jun in the jap hyd as doumyouji. i don't think anyone can ever effectively imitate his character, cuz doumyouji is doumyouji^_^ he's that unique
... and... after skimming through quite a few of the posts... why do i get the feelign that alotta people (i'm not saying all) like hyd cuz they're infatuated with jun and ogure shun..? rather than actually being critical and considering if they fit the role they play, etc. ._________.;;;
hmm.. ppl have been saying how jun played a *superb* role as doumyouji.. i see the reason.. but now that i think of it, i don't think i see daomingsi in mg or jun in the jap hyd as doumyouji. i don't think anyone can ever effectively imitate his character, cuz doumyouji is doumyouji^_^ he's that unique
... and... after skimming through quite a few of the posts... why do i get the feelign that alotta people (i'm not saying all) like hyd cuz they're infatuated with jun and ogure shun..? rather than actually being critical and considering if they fit the role they play, etc. ._________.;;;
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gushing over Jun or Doumyoji
yes, whenever I speak about Hana Yori Dango or any drama, I try to emphasize the character, simply just by saying his or her character's name, not his or her actual name. i want to show that i'm genuinely interested in the show. and i respect the actor/actress a lot for their work in portraying the character.
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I think much of the show's popularity lies in girls lapping it up for their favorite idol actors. That in itself is by design of most teen/young Asian dramas, which are after all written for girls who'll buy the album and the posters and the teen mags. Because I'm a straight guy who's rather disturbed by Jun AND Shun's skin, I'm more impressed by their acting as well as the direction and editing of the show. The most impressive things to me has been the editing and the comic timing of the actors/actresses. It's really difficult to make manga slapstick that funny without good actors.why do i get the feelign that alotta people (i'm not saying all) like hyd cuz they're infatuated with jun and ogure shun..?
So far, I think the most "authentic" manga character in the story is Donmyoji's mom. I mean, dang, that woman is creepy.
So, let's rate the authenticity to the manga by character . . .
Makino. 7/10.
The director hit the ball out of the ballpark by casting an actress who could approximate the incredulous and fighting spirit that Makino is well known for, as well as ground the wacky circumstances from the perspective of a regular girl. She has, uhm, the eye of the tiger. ;)
BUT . . . because of the way they've written out most of the manga's school situations, we don't get to see Makino really take on the whole school. So, this Makino seems more passive, even weaker and certainly less in-your-face, than the manga Makino. She's too kind.
Dounmyoji. 5/10
I love this interpretation of Dounmyoji. I think, the spirit of his essence is here. I think, in some ways, this Dounymoji is a much more interesting character with stronger romantic upside (given the short time frame) than the manga Dounmyoji. And fans of Gokusen knows that Jun really knows how to be dumb funny while playing tough guys.
BUT, then again, I like 80s music and I like Prince. And when Jun struts around with his jerri curls and throws punches like a girl, I know that this is what it sounds like when doves cry. ;)
Rui. 2/10
I think this Rui is great for the story, but weirdly, his situations with Makino have been a little funnier than her scenes with Dounymoji. Well, that ain't right. And that ain't Rui. But I think, as basically the 3rd wheel in the triangle, it works.
Shizuka. 1/10
Not Shizuka. And Shizuka/Rui was probably my favorite couple early on.
Sakurako. 6/10
She evil. And hot. Right on!
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